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album review - Page 4

Katie Armiger
Cold River Records
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Katie Armiger, ‘Fall Into Me’ – Album Review

Katie Armiger's new album, 'Fall Into Me,' features 14 songs that describe love's highs and lows. It's a rollercoaster ride that at times feels like that line from Taylor Swift's 'We Are Never Ever Getting Back Together,' i.e., "I say 'I hate you,' we break up, you call me, 'I love you.'" Fortunately, Armiger's way with words is more debonair.

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Show Dog Universal
Show Dog Universal
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JT Hodges, ‘JT Hodges’ – Album Review

JT Hodges‘ collision of varied influences make his self-titled, debut album a strange — but not unenjoyable — listen. Lyrically, the best songs on ‘JT Hodges’ feel strange and somehow forbidden, like a journey through the wardrobe, or adventure to a new world. He teeters on the axis of cool and too cool for the room.

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Warner Nashville
Warner Nashville
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Gloriana, ‘A Thousand Miles Left Behind’ – Album Review

On their sophomore album, Gloriana lay down 11 tight, polished and harmonious country songs that collectively fall short of providing an identity for a group working through year four together. The trio feels like the shy kid in class who knows all the answers, but doesn’t want to raise his or her hand. 

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Atlantic/Home Grown/Bigger PIcture
Atlantic/Home Grown/Bigger PIcture
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Zac Brown Band, ‘Uncaged’ – Album Review

On paper, ‘Uncaged’ should not work as an album, let alone a country music album. The new release from Zac Brown Band redefines “something for everybody.” Country, reggae, bedroom R&B… Brown and his ever-growing motley crew stretch the Nashville sound further than any other artist. If they weren’t so talented, this project would fall apart long before the title-track.

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Michael Loccisano, Getty Images
Michael Loccisano, Getty Images
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Kenny Chesney, ‘Welcome to the Fishbowl’ – Album Review

The most striking scenes of Kenny Chesney‘s ‘Come Over’ video aren’t those of the bikini-clad beauty in the swimming pool or the panoramic shoreline. It’s the singer himself… without a hat on. As it turns out, those images are something of a metaphor for Chesney’s new ‘Welcome to the Fishbowl’ album.

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