Reviews

In his new song 'I Want Crazy.' Hunter Hayes doesn't soar like Ronnie Dunn or croon like Chris Young. His vocal performance is an exercise in diction -- and memory. Simply put, he packs a ton of words into a tight space without straining or slurring one idea into another. It's not easy.

Carrie Underwood changed directions with the release of 'See You Again' as the fourth single from 'Blown Away.' The ballad is anything but dark and stormy. Instead it's an inspirational reminder that will be especially meaningful to fans who have lost someone close recently.

'Better' is the finest ballad from Maggie Rose's new 'Cut to Impress' album. The singer is creative with her phrasing, and the performance is as raw as anything on the 10-song collection. She is still learning how to be a great storyteller, however, and with more experiences and a few years behind her, the single promises to only get... better.

Will Hoge may be playing to the band with his new single 'Another Song Nobody Will Hear,' but that takes nothing away from his impactful message. The singer-songwriter's ode to struggling musicians is a sharply-written statement about mainstream country music, sung with unique blue-collar spit and gravel.

Jon Pardi tosses a pinch of Bakersfield sound into his brand of country music. It came through more clearly on his debut single 'Missin' You Crazy,' but the follow-up, 'Up All Night,' still relies on a heavy guitar lick and Pardi's Dwight Yoakam-influenced singing style.

The Band Perry's new album 'Pioneer' is just as dramatic, yet dramatically more steady than their debut effort. The bar was raised and reached vocally, and songs like 'Done,' 'Forever Mine Nevermind' and 'Chainsaw' prove the family trio has lost nothing in terms of lyrical edge.

Newcomer Weston Burt's debut single 'Lucky Sometimes' aims right down the middle and hits the mark. The upbeat, head-over-heels love song is easy to find yourself singing along with before the first spin is complete. Listen again to hear him flex a little vocal muscle in the most subtle ways.

'Cut to Impress' by Maggie Rose is one of the more entertaining listens of the year. Fans will either embrace the dark, swampy sound the singer creates with producer James Stroud, or they'll be terrified by her bad girl persona and downright chilling stories. The album is no teddy bear.

The best songs on Thompson Square's new album 'Just Feels Good' sound like a conversation between the two married lovers. Early on, their back-and-forth is light and playful. Later ballads take a more somber tone, but all that find the 'If I Didn't Have You' singers sharing lead are highlights from the duo's sophomore project.

There is comedy in Blake Shelton singing with Pistol Annies, as he does on his new single 'Boys 'Round Here.' One imagines a country Hugh Hefner surrounded by his beauties. In real life, the Annies likely (very likely) don't attend to his every need and agree with him at all costs, but they do on this song, and it's absolutely charming.

Women who already think Blake Shelton singing is the sexiest thing since Johnny Castle pulled Baby from the corner may want to take the rest of the week off. The best moments on 'Based on a True Story ...' sizzle, and not in that ironic "bow-chicka-wow-wow" sort of way that's occasionally implied with this singer's sense of humor. Songs like 'Mine Would Be You' are safe to put on any red

James Wesley has a real feel for the life and struggles of the blue-collar American. His new song 'Thank a Farmer' is similar to his previous Top 30 hit 'Real' in its honest, no-nonsense approach. The worst thing a singer can do with a song like either of these is come off as contrived. Wesley is a long way away from being accused of that.